Nicosia // Sicily // IT // 2013 “I saw it as”

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The origin of Nicosia is uncertain; Engio, Erbita and Imachara are the three cities of antiquity with which historians have attempted to identify Nicosia with, but there is no evidence that the mentioned towns are in fact Nicosia. The present name of the town suggests Greek origins: it is believed to get its name from Saint Nicholas (Νίκου Οίκος). Another theory suggests its a derivative of the Greek saying “City of Victory” (Νίκης Οίκος). The town is believed to stand on the site of the ancient Engynum. The modern town was founded by Byzantine colonists in 6th century. It expanded under the Arab domination and later under that of the Normans, who settled numerous immigrants from Lombardy and Piedmont, called “Lombards”, giving rise to the Gallo-Italic dialect still spoken in the town and surrounds. King William II made Nicosia a royal city. It played an important strategic role, favoured by its position halfway between Palermo and Messina. It often gave hospitality to important figures, including Emperor Charles V.

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ANDREA TYRIMOS // BRICK PAINTING @BARBICAN CENTRE // 18TH MAY 2013 #FOOD4GOOD

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Born 1986, London, UK

Lives and works in London.

Andrea Tyrimos graduated in Fine Art from Central St Martins in 2009, and has exhibited extensively since then. She has been mentioned in publications such as ‘Time-Out’ and ‘an magazine’, and has won awards including the ‘Signature Art People’s Choice Painting Award’ and the ‘Art & Escape Award’.
Charles Baudelaire in 1863 called for painters to focus on ‘depicting the fast-changing landscapes of life’, and described such an artist as ‘The Painter of Modern Life’: it is clear that within her varied series of works, capturing such modernity is something that Andrea Tyrimos achieves. Her vibrant, neon paintings represent a nocturnal narrative flow. Some of the pieces are concerned with giving artificial lights physical substance, whilst others present a historical trajectory. The paintings are as much to do with the physical medium of paint itself as the intangibility of the light this medium attempts to reproduce.

http://www.andreatyrimos.com/